The main advantage of the previsualisation is that it gives immense opportunity to the cinematographer for experimenting with several options such as lighting, camera placement, stage direction, editing, etc. This process also helps in adding sound effects and music and also the stunt scenes with special effects. In the movie, The Matrix Reloaded, the entire hit and chase scene on the road is the perfect example of using previs in big budget films (Dinur, 2017). These days for big budget films, majority of the studios hire those companies which solely concentrate on previsualisation effects for large projects. There are many software packages that helps to get the previs effect such as Newtek's Lightwave 3D, Autodesk Maya, MotionBuilder and Softimage XSI, etc. There are also inexpensive previsualisation effects using iClone, Poser, etc. Another important aspect of previsualisation is storyboarding. It gives an unique 3D dimension which is way better than the 3D animation.
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The tools that are required to do compositing is the Adobe VR Comp Editor that are used to built after effects enabling 2D and 3D edits to prepare a spherical composite (Walker, 2017). There are several steps to launch VR Comp Editor and use it like a pro.
In the science sequel The Blade Runner 2049, the VFX effects using the compositing techniques have reached immense dimensions. The biggest challenge that the production team faced was to build up a futuristic visual world that shall be of the same standard prepared in the first part thirty years back. Hence the team used the most powerful and innovative 3D design and production tracking tools with the most upgraded technology that would create outstanding work of cinematic art. There were 1200 VFX shots with several tools such as Maya, Arnold and Shotgun.
The most effective tool for colour grading is the Davinci Resolve Lite. In the 2 minute video from the movie ‘The House on Pine Street’ featured by Taylor Jones, the grading effect was brilliantly demonstrated with the original footage along with the colour graded footage. Davinci Resolve Lite is considered to be the big daddy of the grading software. The Adobe Premiere Pro CC (Lumetri), Final Cut Pro X, Color Finale, Film convert, etc are also other colour grading software tools with the help of which colour grading can be achieved.
Walker, S. J. (2017). The Core Skills of VFX Repository.
Daibo, M., Hasegawa, T., & Miura, K. (2017). Limiting Colour Grading for Two-colour Film Restoration. Utilising a Spectroradiometer to Create a Specific LUT. Journal of Film Preservation, (96), 97.