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Art criticism is the process of gathering facts and information about a work of art and the artist to describe, analyze, interpret, and evaluate art Mary Cassatt.
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Mary Cassatt
Mary Cassatt was a popular American painter who was known as "Les Trois Grandes Dames" of Impressionism. Most probable she engaged in the creation of social and private women's lives in her paintings focusing significantly on the mothers and children relationships. She developed "The Child's Bath "an oil painting of 1893, was considered the best painting in comparison to all other paintings (Jones, 2014). In this painting, she comprised an unorthodox and striking composition which makes it very attractive and beautiful.
This work included various devices that were unconventional like bold outlines, floral designs, cropped forms, flattened perspectives and patterns which were all derived from Mary Cassatt studies of Japanese woodblock prints. The patterns are through grays and mauves which are mainly restrained with the soft coloration that allows focus of the audience to the subject of the scene which is the close relationship between the mother and the child (Shields, 2016).
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Both the mother and the child are highly related to their task's shared absorption as the pitcher and the bowl which are being utilized for the domestic ritual. The main scene of the image depends on a child’s daily bathing that known as a special moment. The women are seemed to firmly and protectively hold the child in her one hand and with the other hand washes the child's feet.
The composition in the painting reinforces the painters of the woman with the child/s tender absorption. Cassatt considers as the main subject matter of the painting which making the image more attractive and beautiful (Saini, 2013). In the painting, the viewer observes the love of one woman towards her daughter which makes it attractive for the viewers.
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Jones, K. A. (2014). Mary Cassatt's" Little Girl in a Blue Armchair:" Unraveling an Impressionist Puzzle. Archives of American Art Journal,53(1/2), 116-121.
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Shields, C. N. (2016). Refracting the Male Gaze: Mary Cassatt’s Ocularcentric Message of Female Agency. Quercus: Linfield Journal of Undergraduate Research, 2(1), 4.
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Saini, B. S. (2013). Mary Cassatt: Feminine Labour and Creative Leisure(Doctoral dissertation, Dissertation, Jawaharlal Nehru University). Retrieved from http://www. academia. edu/3512491/Shilpi_Saini-_Mary_Cassatt_Feminine_Labour_and_Creative_Leisure).
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